SubDs...are they becoming a niche toolset?
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 From:  amur (STEFAN)
8652.21 
Fully agree with PaQ, about carefully planning and knowing in advance what you do.

Here is also (once again... :-)) a very good example of the ZModeler brush:

http://www.zbrushcentral.com/showthread.php?209559-Tamotsu-Kishida-s-Sketchbook

I wonder how many times fillets etc. would fail on such a complex model and if NURBS
modeling would be really faster than subd modeling. One other advantage is also dynamic
subdivision (rendering), so that poly count can be kept low when saving, compared to a
frozen subd mesh.

Pixologic must had a good reason to implement the ZModeler brush in 4R7... :-)

But i agree, one should use the tools one is most comfortable with.

Regards
Stefan
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 From:  Frenchy Pilou (PILOU)
8652.22 In reply to 8652.21 
Tools are not the more important ... just imagination! :) (sure they can help but...

My French friend Orgelf make some crazzy things with SketchUp! :) http://www.orgelf.com





or Xlrlxi (always SketchUp) Gallery : https://600v.deviantart.com/gallery/

EDITED: 7 Nov 2017 by PILOU

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 From:  amur (STEFAN)
8652.23 
Interesting Pilou, that SketchUp can handle models with a large poly count!

Regards
Stefan
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 From:  Frenchy Pilou (PILOU)
8652.24 In reply to 8652.23 
Maybe not like ZBrush but sufficient for crazzy things! :)
By Orgelf


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 From:  mkdm
8652.25 In reply to 8652.22 
Hi Pilou.

Wanderful stuff is doing your friend Orgelf!!

@You : "...Tools are not the more important ... just imagination! :)..."

I agree with you

Just imagination, hundreds of hours of studying and practicing and....talent.

Yes. I think that ALL starts from talent you received.
Starting with that, you can work and strive to become a "true artist".

If you don't have the "natural" talent for a certain thing, with the strive and the hard work certainly you will be able to do even very good things,
but becoming a true amazing "artist" I think it's a thing reserved only to a very small part of the mankind.

Ciao!

- Marco (mkdm)
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 From:  mkdm
8652.26 
P.S. When I say "true artist" I'm thinking to the various "humanity's genes" that are all "heritage of humanity."

Galileo, Raffaello, Da Vinci, Michelangelo, Picasso, etc... etc...


:)

- Marco (mkdm)
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 From:  Frenchy Pilou (PILOU)
8652.27 In reply to 8652.26 
Can we imagine what these geants should made with the computers tools! ;)

Another cool show! :)
https://www.artstation.com/orgelf/albums/all



EDITED: 7 Nov 2017 by PILOU

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 From:  Metin Seven (METINSEVEN)
8652.28 In reply to 8652.21 
Hi Stefan,

That looks very impressive. Still, somehow ZModeler feels a bit off in a freeform sculpting tool like ZBrush. I just can't get used to it, and miss some basic functions like edge extruding, grid snapping, non-destructive modifiers, and more. As soon as I want to poly-model something, Blender remains my go-to tool.

Regards,

— Metin

———————

metinseven.com — visualization • illustration • animation • 3D (print) design

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 From:  Frenchy Pilou (PILOU)
8652.29 In reply to 8652.28 
Seems Silo comes back also in the game! ;)
"3D Modeling Zen for Games and Animation."







etc...

EDITED: 8 Nov 2017 by PILOU

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 From:  amur (STEFAN)
8652.30 
Hi Metin,

i started learning subd modeling long ago with Silo and later MODO (which i have sold) and
i took also a Blender class a while ago, but come now to the conclusion that i can do all those
things with the ZModeler brush, when needed. I think doing a subd base mesh and later
sculpting on it, or adding subd mesh parts to a sculpt, is a welcome addition. But sure, no
doubt, Blender is also a very nice and very capable modeling environment.

You can call me also a bit crazy but i really like those nicely colored poly groups in ZBrush. :-)

Best regards
Stefan
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 From:  amur (STEFAN)
8652.31 
Hi Pilou,

the Nevercenter guys announced a couple of hours ago on Facebook
that a new version is out (2.5.1) with smoothing groups/hard egdes
support.

https://www.youtube.com/watch?v=xYfX1HmzXqk

Best regards
Stefan
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 From:  James (JFH)
8652.32 In reply to 8652.29 
That's big news Pilou,

The only forum I've ever known to even approach the responsiveness of this one was the silo forum back when it was hosted on the nevercenter site.

It was such a promising software. In the early days it was regularly updated to the applause of an enthusiastic user base.

Then without warning, they abandoned their users, ignoring all queries and eventually closing down the forum. They trash all the goodwill they had built...It was damn shame.
I get that they shifted focus to some new products, but it was just rude that they turned their backs on those customers that had forked out for the first product.

It remains to be seen if they have returned to their old ways.
I truly hope so

James

EDITED: 8 Nov 2017 by JFH

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 From:  mkdm
8652.33 In reply to 8652.29 
Hi Pilou!

Well...this is my very personal opinion about Silo.

Many times, over the past two years, here and there I've read about the return of Silo with a new version.

For what I've read so far and what I've seen, I consider this "pseudo update" only a merely commercial move to try not to disappear from the CG market.
I think it's too late.
Same old UI, same workflow, too many same old things...

Now we can have tons of very good tools to handle this kind of things.
And some of these tools are also free..

Ciao!

- Marco (mkdm)
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 From:  Metin Seven (METINSEVEN)
8652.34 In reply to 8652.30 
@Stefan: Haha, yes, those bright-colored ZBrush polygroups are pleasantly helpful.

— Metin

———————

metinseven.com — visualization • illustration • animation • 3D (print) design

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 From:  amur (STEFAN)
8652.35 
:-)

Best regards
Stefan
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 From:  vector illustrator (QUARITEXA)
8652.36 In reply to 8652.1 
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 From:  2byts
8652.37 
Concept Modeling is a far cry from production modelling.

Doing concepts requires a very fast turn around, and typically you do not face technical limitations because the idea is the only thing that matters. This means you can use a full pallette of tools and techniques and need deliver a series of renders. Moi is perfact for that!

This is only the first phase in a production pipeline though. Concept Modeling has considerably freedom because its not expected to be used in the pipeline. The idea will usually be sent to a small army of modelers and texture artists that will do the final pass on it. Its a creative industry, so the initial idea will see many iterations thoughout the entire production so everything will need to be flexible to the very end. Very few people actually use Nurbs modelling.

Here are things to watch for:

File Size:
Nurbs modelling is final resolution and cannot be subdivided, which makes particularly very dense geometry once it is converted to polygons. Not an issue really, but it can create a bottle neck or even break it if assets are getting to be +1 GB in file sizes. VFX studios prefer and often expect very clean and light weight models.

Topology:
Doing a sculpting pass using Zbrush/Mudbox will require a tedious clean up. Poles can present a serious problem, as some applications will not accept the mesh entirely. Mari and Mudbox will report these as errors. Using Displacement will also be problem if the geometry does not have a clean topology.

Surface Normals:

Are locked on the mesh, which is fine as long you dont do any modifications to the geometry once it makes way into other applications as a polygonal mesh. This requires a strict SOLID surfaces only workflow and any post-mirrored goemetry will require fixing the normals.

UVs:
Nurbs models do create a basic UVs and this is quite useful, but will require cleanup. Using Default, creates UV seams at all of the patch edges, which can be a problem. I take advantage of this within Maya though, by selecting the UV shells and reprojecting them. Chamfered edges will require manual cleanup.
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 From:  Metin Seven (METINSEVEN)
8652.38 
Mirrakoi looks intriguing. Too bad it's a Rhino plug-in and not a stand-alone application.

— Metin

———————

metinseven.com — visualization • illustration • animation • 3D (print) design

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